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​Joanna Cox Marshall
Creative Arts Blog
Here is my creative arts journey, which started in 2012. I wanted to start a new path within arts and crafts,  a career I was unable to take as a young person. I started my City & Guilds in 2019, which progressed to a degree in 2024. I have documented everything in this blog.

I retired from the professional ballet world at the age of 50 years in 2021, and have never looked back. 

I hope my blog inspires others and encourages them to find their creative outlet. 

Lace Making in Northamptonshire

4/30/2024

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Lace Making in Northamptonshire - 2024
I live in Brackley, Northamptonshire, which is a quaint English market town. The area is famous for Formula One racing teams and the novelist Flora Thompson, who wrote 'Lark Rise to Candleford'. 
Brackley Market was a grain market, which also sold lace and other cottage industry crafts. A sheep market was introduced in the 1850s. The old cottages near Brackley church are where the lace makers lived and worked in the 1850s, and some of them are now named after this craft. I researched lace-making in the area and found Reverend Thomas Mozeley's book on the conditions and ages of the lace makers in the village of Morton Pinkney, which is 7.5 miles from Brackley. 
I wanted a reminder of Mozeley's extract, so I took some phrases and images to make a booklet about lace-making in Northamptonshire. 
​
Year 1 - Creative Arts: Module 1

Of Pigs and Lacemakers: The Reverend Thomas Mozeley’s Reminiscences of Morton Pinkney (1832 – 36)
The school was but half filled. It had a rival too strong for it. This village of misery and dirt, of cold and nakedness, of pigs and paupers, was the busy seat of a beautiful and delicate manufacture. As many as a hundred and fifty women and girls made pillow lace. On the higher green was the ‘lacemaking school,’ as it was called. Near thirty children were packed in a small room, and kept at their pillows from six in the morning, all the year round, to six in the evening. They were arranged in groups of four or five, round candles, about which were water-bottles so fixed as to concentrate the light on the work of each child. Girls were sent thither from the age of five, on a small weekly payment.
It kept them out of the way in the day, and it prevented the wear and tear of clothes. The food side of the calculation was doubtful, for the parents always said the lacemakers ate more than other children, though it did not do them much good. For a year or two the children earned nothing. They could then make a yard of edging in a week, and, deducting expenses, they got twopence for it. By the time they were eleven or twelve they could earn a shilling or eighteenpence a week. There were women in the village who could not clothe their own children, or present themselves at church, who had made and could still make lace to sell in the shops at 20s. or 30s. a yard. The more costly lace was generally ‘blonde,’ that is, made with ‘gimp’ or silk thread.  The makers were all bound to the dealers by hard terms, so they said, and obliged to buy at the dealers’ terms their gimp and thread.
They took great pride in the number and prettiness of their bobbins, making and receiving presents of them, and thinking of the givers as they twirled the bobbins. We took a good deal of the lace, and disposed of it amongst our friends. My youngest sister set up a pillow, and made some yards of good lace. I learnt to be a critic in lace, and an appraiser.
Though all these children were taught to read, and even to write and to sum a little, they were of course very backward, and they soon ceased to do anything but make lace.
Reverend Thomas Mozeley
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The lace-making Paisley Pear originated from Buckinghamshire, just over the border from Brackley. This motif was made and sold at Brackley Market.  
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​©Joanna Cox Marshall
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    Joanna Cox Marshall  Artist & Designer

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