One of my goals in January 2019 was to explore counted blackwork in more depth. I wanted to learn more about blackwork embroidery and its origins. Below is the finished journal. January 2019 A study of squares using DMC Embroidery Thread & 14 Count White Aida. February 2019 A study of squares in colour using Anchor Pearl Cotton & 14 Count White Aida March 2019 A study of pattern & colour using DMC Embroidery Thread & 14 Count White Aida. April 2019 I was given some vintage silks by a friend and decided to use one of them in my April sample. I have used double thread in the sample below. It was lovely to put the silks to good use and as I stitched I wondered where these lovely silks had originated from and their journey to me. May 2019 In May 2019, I visited Sandringham in Norfolk where my family & I visit a couple of times each year. I used vintage sewing silks and stitched my own design of leaves and branches to depict the Sandringham Royal Country Park. June 2019 A study of a progressive pattern showing density variation. Taken from a sampler by Mary Kay Sampson. I used vintage sewing silks and 14 count white Aida in this sample. July 2019 A progressive pattern taken from a sampler by Mary Kay Sampson. I used vintage sewing silk and 14 count cream Aida. August 2019 A progressive pattern taken from a sampler by Mary Kay Sampson. I have used DMC Embroidery Threads and 14 Count Cream Aida. September 2019 As I explored the history of blackwork embroidery I wanted to re-create some of the patterns on the clothing in paintings. I found the painting 'A Portrait of a Lady in Green' c1528 -32, by Agnolo Bronzino (1503 - 72) and picked a motif from the collar that I could stitch. I used vintage sewing silks and 14 count cream Aida in this sample. October 2019 In October I continued studying the motifs on the collar from the painting above. The motif I used was on the inside of the collar and I created my own pattern from it. I used DMC Embroidery Thread and 14 Count Cream Aida. November 2019 In this sample I found a painting of Mary Tudor (1516 - 58) and studied the blackwork on her collar. With this in mind I found a pattern that was found on a corner of a cloth from the late 19th century. I then merged the two patterns together to make the sample below. I used DMC Embroidery Thread and 14 Count Cream Aida. December 2019 For my final sample I designed my own pattern inspired by the Tudor rose and the blackwork seen on Mary Tudor's collar. I used DMC Embroidery Thread and 14 Count Cream Aida. This concludes my counted blackwork project. Jo x ©Joanna Cox Marshall
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AuthorJoanna Cox Marshall is a textile artist, designer and tutor in textiles & dressmaking. Archives
January 2025
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